29 October 2025

Charlotte’s paintings begin from experiences within live music contexts, using photographic imagery of light and movement, she manipulates these into digitally layered images. Through digital images and overpainting, she arrives at a starting point for her paintings. These compositions are overlaid  with painted gestures which in turn act as another level of movement within the frame. Drawn to un-depictable layers within her paintings Charlotte seeks to create technical confusion within her surfaces.

Charlotte has used her time in residence with NNCA to realise new works in a more expansive context and to hone in on experiments with transparency and layering. She has experimented with resin for the first time in her work, creating glossy, luminous surfaces.

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